Seattle doom metal duo, BELL WITCH, have today confirmed details of their upcoming, third full length album. With Mirror Reaper BELL WITCH have created a truly enormous work – one continuous 83-minute piece unfolding as a single track. The album will be released on October 20, 2017 by Profound Lore Records
Engineered and mixed by veteran producer Billy Anderson (Swans, Sleep, Neurosis), the duo of Dylan Desmond (bass, vocals) and Jesse Shreibman (drums, vocals, organ) have pushed the band’s sound further than it’s ever gone before. While retaining the monolithic heaviness of their previous releases, Mirror Reaper sees the band explore the more meditative, melancholy, and introspective aspects to their sound through the introduction of long, lonely organ passages and the return of honorary BELL WITCH member, vocalist Erik Moggridge (Aerial Ruin), offering a prominent presence. The artwork for Mirror Reaper was painted by Mariusz Lewandowski.
On the themes surrounding the concept and lyrics of Mirror Reaper the band state:
“The title Mirror Reaper is indicative of the Hermetic axiom ‘As Above, So Below,’ written with two sides to form one whole. The song is both its own and its reflection, as an opposite is whole only with its contrary. Our focus as a band has always been the perception of ghosts and the implied archetype of the dichotomy of life/death therein. Mirror Reaper is a continuation of that concept.
“During the writing process we were devastated by the loss of our dear friend and former drummer, Adrian Guerra. In love and respect to his memory, we reserved an important yet brief section in the song for him that features unused vocal tracks from our last album. This specific movement serves as a conceptual turn in the piece, or point of reflection. We believe he would be proud of it as well.
“Mirror Reaper’ was the first collaborative writing project with the new line up, and Adrian’s death during it brought extra emotional weight. We sought to match the complexity and weight of these events within the composition of the piece.”